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Wedding Photography Tips for Photographers

Photoshop techniques by Wedding Photography Tips for Photographers

Adobe Photoshop is much more than a powerful software program for editing image files. It is a virtual digital darkroom, offering more creative flexibility than a conventional darkroom. Photoshop allows you to work on the image as a positive, allowing you to view the effect as you create it. Photoshop is also extremely open-ended-—there are many different ways to do the same thing. As a result, certain techniques talked about here can be achieved by a number of different means.

Photoshop’s flexibility also makes it open to a wide variety of unique techniques. If you sit down with six photographers and ask them how they do a fain common correction, like selective diffusion, you just might get six different answers. Many practitioners pick up a technique in a book, then another at a workshop they’ve attended—and soon the technique has become a hybrid, with a slightly different method and result.

The following is a collection of Photoshop techniques useful to (but not exclusive to) digital wedding photographers.

Background copy layer

Many different creative effects involve using Photoshop’s layers. When you open an image and go to the layers palette, you will see your background layer with a padlock icon next to it, meaning that this is your original image. Make a copy of the background layer by clicking and dragging the background layer onto the new-layer icon.

Immediately save the image in the PSD (Photoshop Document) or TIFF file format, which will allow you to preserve the layers, including the original background layer and background copy layer. Other file formats will require you to flatten the layers, which merges all the layers into one and obliterates your working layers. If for some reason you need to revert to the original image, you can simply delete all layers except your original background layer.

Once you’ve done this, you can continue working on the background copy. Because you are working on a duplicate of your original, it’s easy to compare the “before” and “after” version of your image as you work and to revert back to the original if need be.

Eraser Tool

Once you’ve made a copy of the background layer, the eraser tool allows you to selectively permit the underlying background layer to show through—good for creating selective effects.

For example, working on the background copy layer, you can apply the Gaussian blur filter (Filter>Blur>Gaussian Blur). This will blur the entire image. To restore the original sharpness to selected areas, you can then use the eraser tool to “erase” the blurred background copy layer and allow the sharp background layer to show through. You can set the eraser opacity and flow to 100 percent to reveal the hidden original background layer completely, or you can set the opacity to around 50 percent and bring back the sharpness gradually.

As you work, you’ll probably want to enlarge the image to ensure that you erase accurately. You can also switch between different brushes, depending on the area you need to erase. Your selection of a soft- or hard-edged brush, and its size, will change the sharpness of the perimeter edge of the erased area. A good middle ground is a small- to medium-sized, soft- edged brush.

This technique is ideal for retouching the entire face and then bringing back select areas of the face that need to be sharp—the eyes and eyebrows, the nose, the lips and teeth, and so forth. It also works well with special effects filters, like nik ColorEfex’s Monday Morning Sepia—a moody, soft focus, warm- tone filter. Simply perform the effect on the background copy layer, then bring back any of the original detail you want by using the eraser tool to allow the original background layer to show through.

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